Tuesday, June 10
Tickets: $35 advance / $40 day of show on sale Friday, March 14 at Tickets.com, Babeville Box Office (M-F 11a-5p), Rust Belt Books, and Terrapin Station, or charge by phone 888-223-6000
GENERAL ADMISSION SEATED SHOW
7pm Doors 8pm Start
Judy Collins live in Asbury Hall.
Judy Collins has inspired audiences with sublime vocals, boldly vulnerable songwriting, personal life triumphs, and a firm commitment to social activism. In the 1960s, she evoked both the idealism and steely determination of a generation united against social and environmental injustices. Five decades later, her luminescent presence shines brightly as new generations bask in the glow of her iconic 50-album body of work, and heed inspiration from her spiritual discipline to thrive in the music industry for half a century.
The award-winning singer-songwriter is esteemed for her imaginative interpretations of traditional and contemporary folk standards and her own poetically poignant original compositions. Her stunning rendition of Joni Mitchell’s “Both Sides Now” from her landmark 1967 album, Wildflowers, has been entered into the Grammy Hall of Fame. Judy’s dreamy and sweetly intimate version of “Send in the Clowns,” a ballad written by Stephen Sondheim for the Broadway musical A Little Night Music, won “Song of the Year” at the 1975 Grammy Awards. She’s garnered several top-ten hits gold- and platinum-selling albums. Recently, contemporary and classic artists such as Rufus Wainwright, Shawn Colvin, Arlo Gutherie, Joan Baez, and Leonard Cohen honored her legacy with the album Born to the Breed: A Tribute to Judy Collins.
Judy began her impressive music career at 13 as a piano prodigy dazzling audiences performing Mozart’s “Concerto for Two Pianos,” but the hardluck tales and rugged sensitivity of folk revival music by artists such as Woody Guthrie and Pete Seeger seduced her away from a life as a concert pianist. Her path pointed to a lifelong love affair with the guitar and pursuit of emotional truth in lyrics. The focus and regimented practice of classical music, however, would be a source of strength to her inner core as she navigated the highs and lows of the music business.
In 1961, she released her masterful debut, A Maid of Constant Sorrow, which featured interpretative works of social poets of the time such as Bob Dylan, Phil Ochs, and Tom Paxton. This began a wonderfully fertile thirty-five year creative relationship with Jac Holzman and Elektra Records. Around this time Judy became a tastemaker within the thriving Greenwich Village folk community, and brought other singer-songwriters to a wider audience, including poet/musician Leonard Cohen – and musicians Joni Mitchell and Randy Newman.Throughout the 60s, 70s, 80s, 90s, and up to the present, she has remained a vital artist, enriching her catalog with critically acclaimed albums while balancing a robust touring schedule.
Based on the success of the CD/DVD Judy Collins Live At The Metropolitan Museum Of Art, which aired on PBS, Judy Collins filmed another spectacular show in Ireland, on September 29, 2013 at Dromoland Castle. The show features some classic Judy Collins songs like Chelsea Morning, Cat’s In The Cradle, Bird On A Wire as well as some of her favorite Irish tunes… Wild Mountain Thyme, She Moved Through the Fair (featuring the amazing Mary Black) and of course, Danny Boy. JUDY COLLINS LIVE IN IRELAND will air on PBS nationwide in early 2014.
Judy Collins, now 74, is as creatively vigorous as ever, writing, touring worldwide, and nurturing fresh talent. She is a modern day Renaissance woman who is also an accomplished painter, filmmaker, record label head, musical mentor, and an in-demand keynote speaker for mental health and suicide prevention. She continues to create music of hope and healing that lights up the world and speaks to the heart.
Accomplished singer/songwriter and musician Kenny White opens the show. White’s album latest album, Comfort in the Static is soulful singer-songwriting at its best; lush piano melodies combined with vulnerable vocals and smart, insightful lyrics make for a seminal recording that observes the boundaries between jazz, blues, rock, pop and folk…and then proceeds to step over them.
Date(s) - 06/10/2014
341 Delaware Avenue