Monday, September 14
Tickets: $17.50 advance / $20 day of show at Ticketweb.com Babeville Box Office (M-F 11a-5p), Rust Belt Books, Terrapin Station or charge by phone 866-777-8932
7pm Doors 8pm Show
“A golden despondency” is how Kevin Barnes translates the meaning behind Aureate Gloom, the title he gave of Montreal’s thirteenth full-length album.
The oxymoron is one Barnes says best describes the overall state of his life and mental outlook while working on the record: first on a writing retreat in New York City, then while demoing tracks in Athens, before finally recording at Sonic Ranch, just across the border from Juarez, Mexico in the Texan desert.
If you’re wondering what exactly would lead Barnes to use this epithet to describe his reality at the time, look no further than the songs themselves. While many bands rely on vague platitudes as an attempt to make their songs universally applicable, Barnes chooses to take the opposite tact — penning lyrics so personal they sound like entries ripped from a journal that should be permanently kept under lock and key.
“I was going through a very stormy period in my life and felt like I was just completely trashed,” reveals Barnes. “I might be guilty of sharing or exposing too much of my private life, but to me the best albums are those that help people connect with an artist on a deep, human level and that do so without too much artifice or evasiveness.”
For inspiration — and to put a bit of distance between himself and the events and people he writes so unequivocally about — Barnes spent two weeks in New York City this past spring. While there, he wandered around Chelsea, Greenwich Village, SoHo, and Chinatown, imagining what it was like 40 years ago, picturing himself as Tom Verlaine or Patti Smith, or James Chance.
Like 2013’s Lousy with Sylvianbriar, Aureate Gloom was recorded directly to tape with musicians Kevin Barnes (guitar, vocals), Clayton Rychlik (drums), Bob Parins (bass), Bennett Lewis (guitar), and JoJo Glidewell (keys), plus the help of engineer Drew Vandenberg.
Having already spent many of the previous months touring together, the strength of the members’ musical rapport was instantly apparent. The group completed nearly a song a day during their stay in the desert and even wrote a brand new track on the spot, “Apollyon Of Blue Room,” whose title references a supposedly haunted bedroom in a hacienda on the studio grounds.
Working at such a breakneck pace, there was no time to nitpick, to dissect, to overanalyze. Only later, upon arriving back home, was Barnes able to take a step back and fully appreciate what he and his band had accomplished.
With Aureate Gloom, of Montreal have created one of the most unflinching, confessional and starkly emotional albums in their oeuvre.
Date(s) - 09/14/2015
341 Delaware Avenue