Tuesday, February 11
7pm Doors, 8pm Show
Tickets: General Admission standing tickets $12.00 on eventbrite, or the Babeville Box Office (M-F 11a-5p)
The High Divers have been covered by Rolling Stone, Paste, Performer Magazine, KDHX, practically every outlet in their hometown of Charleston and are consistently named one of the best bands in South Carolina. Now, with their new Sadler Vaden-produced EP, Ride with You — an emotion-clad and wholly triumphant project — this four-piece are poised to break out on a national scale.
“Sadler wanted us to really focus on songs that were entwined with our lives and real experiences, which got us writing from a much deeper level. There are songs about losing friends to suicide, trying to live with gratitude while struggling with PTSD, abusive relationships, busting out of your close-minded hometown, and finding peace falling in love with yourself and someone new. We would play Sadler a bunch of songs, and then we’d play one that was really close to our chest, and he’d say “Why didn’t you play me that one first, that’s the song!” We were hiding from songs that felt too vulnerable and raw, while that’s exactly what he was looking for.”
“I’m still kickin’!” frontman Luke Mitchell howls with guttural intensity on the closing track. “Still Kickin’” is the snow-capped peak of this new batch of music and the statement piece of the band members’ lives in this moment. “It happened so fast / Do you understand how lucky you are to be sitting here?” he provokes the listener to engage with their state of being, as well. The air slips out of his lungs in hurricane gusts, but it’s his conviction that is especially moving.
The raw, unsettling realization that life could slip from your grasp any minute is the bedrock of the EP, which was recorded at East Nashville’s Jeremy Ferguson-owned Battle Tapes Studio. The band, consisting of the married Luke (vocals, guitar) and Mary Alice Mitchell (keyboards, vocals), Julius DeAngelis (drums) and Kevin Early (bass, vocals), learned that hard lesson nearly two years ago when their touring van was T-boned by a semi-trailer truck. They rose out of the wreckage with broken bones, deep scars, and a new perspective on human existence.
Swelling with melancholy, the title cut “Ride with You” mourns that empty feeling born out of small-town life and needing something more reinvigorating, while “Stick Around” is an urgent call-to-action in the wake of numerous friends falling prey to suicide. “If you’re hurting, your house is haunted / You just need a friend around,” Mitchell beckons, his hand extending in an enveloping token of compassion.
Out of Hilton Head Island, the band members played in various entities, including multiple cover and original bands in their youth, but wouldn’t link up as a proper collective until 2014. With Mary Alice calling upon her classical piano training, she would seamlessly add a whole new element that would perfectly compliment Luke’s songwriting sensibilities, where her gifts have never been more suited. Her voice, a force of its own, is a perfect counter-balance to Luke’s woody timbre.
Mary Alice and Luke tied the knot two years ago, and that romantic entanglement allows the band to display even more heart and tremendous amounts of sacrifice. “Being married and out on the road can be challenging, but we make a good team and have a good support system in place. We are each other’s creative counterpoint, and we’re constantly working. We have to remind ourselves to try and have a day off every now and then, to do normal ‘married couple’ things.”
Ride with You was born out of struggle, but across these six tracks, there emerges warmth, love, understanding, and freedom. “Having to do the thing you’re most afraid of for your job is hard. We’re a little more nervous than we used to be driving from city to city. It’s really put touring into perspective for us. We always took it seriously, but now, it’s much more so. We always hold it in higher regard,” says Luke. Mary Alice chimes in, “We try to give it our all onstage because it’s like…what if I don’t get to do this tomorrow?”
The High Divers have never sounded better. Even as they are forever haunted by that fateful day, their spirits are intertwined together in a powerful new way. This new EP then underscores their courage, determination, grit, and ability to forge an even brighter future against all odds. Working with Vaden as a producer helped them find a sound that they are excited to share as they continue to tour the country.
“Working with Sadler was one of the highlights of our creative lives, and his ability to cut through the bullshit and get at the heart of the song was so refreshing. This is some of the best work we’ve done as a band, and Sadler was there in the trenches with us the entire time.”
The Elwins — singer/guitarist Matt Sweeney, drummer Travis Stokl, guitarist/keyboardist Feurd, and bassist/singer Francesco Figliomeni — came together in 2006 near Newmarket, about an hour north of Toronto. After touring extensively behind 2012’s And I Thank You and 2015’s Play for Keeps, the four members developed a natural chemistry, which continues to propel (and challenge) their collaborative spirit on Beauty Community. Play For Keeps notably helped garner the band a 2016 JUNO Award for Breakthrough Group of the Year with its first single, “So Down Low,” which amassed over 25 million audience impressions, peaked at #12 Alternative Rock, and was featured in a Canada-wide advertising campaign for Fido.
Noah Moses ( yes, that’s his real name) is a Blues-Americana player based out of Clarence, NY. He brings old and new sounds together to create a bridge to memories of the past, and the hope of a better future. He derives his inspiration from life experiences; and struggles dealing with faith, love, and identity.
Noah’s musical journey, and search for identity actually started two generations prior to his. The story goes, that his father Jack, was put up for adoption as an infant. As he grew up, the only bit of information he could find out about his biological father was that he was extremely musically inclined. Jack never pursued music, but did have a keen ear, which would later be pivotal in Noah’s formative years.
Time went by and Noah happened to stumble upon his first harmonica, and the rest as they say is history. He started flying through lessons, and realized he’d found a way to fight the blues…with the blues. After getting the harmonica well under way, he decided to see what he could do with guitar. Due to some humble beginnings a First Act guitar of one of his younger brothers was the best he could do. When you add to the mix that Noah is a south paw, you have the perfect recipe of upside down chords that will a short time later flip themselves over in his brain and hands in a most miraculous way.
This all took place in the fall of 2011. As Christmas came over the horizon he considered asking for a guitar, but didn’t want to burden his parents. So he prayed a simple prayer asking God for a left-handed guitar and forget about it, but God didn’t. On the Sunday before Christmas, a soon-to-be mentor of Noah’s walked up to him and handed him a left-handed Telecaster saying, “God told me to give this to you.”
Since then, Noah’s had the opportunity to play in four countries, numerous television interviews, (make sure to check out the interview section!) released his first EP, and looks forward to what else is in store for him on his journey.
Date(s) - 02/11/2020
341 Delaware Avenue